Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VELAZQUEZ, Diego Rodriguez de Silva y
Peasants at the Table (El Almuerzo) r

ID: 09444

VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r
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VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r


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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Oriental three doctor | Lady | Detail of Palace handmaiden | Head-Portrait of Young boy | Filipu |
Related Artists:
John Currey Marin
American artist , b.1870 d.1953
Charles M.Relyea
American, 1863-1932
Jacob Huysmans
1633-1696 Flemish Jacob Huysmans Gallery Jacob Huysmans (c.1633?C1696), was a Flemish portrait painter. He moved to England during the reign of Charles II where he became one of the fashionable painters of the court. His chief portraits are those of Izaak Walton and Catherine of Braganza, Charles II's wife (both displayed on the National Gallery, London). He was a pupil of Gilles Backereel and Frans Wouters and came over to England from - presumably - Antwerp. His first works were pastiches of work from Anthony van Dyck. As a Roman Catholic he was favoured by Catharine of Braganza. When Samuel Pepys visited his workshop in Westminster on 26 August 1664, he described him as a 'picture-drawer ... which is said to exceed Lilly (Lely). Huysmans's most important portrait of Catharine of Braganza, Queen Catharine as a Shepherdess (c. 1664; Brit. Royal Col.), was one of the pictures Pepys saw on that occasion. Painting his subjects as sheperdesses with clothing embellished with embroidery and jewellery were typical of his style.






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